Art 105:
2-Dimensional Design
Professor: Kyle
Stevenson
Project 2: SHAPE MOTIF
(Linear /Curvilinear or Geome tric/ Biomorphic Pattern)
MATERIALS:
Canson
Mi'tientes (individual sheets of paper).
One 18x24” sheet of white, black, and gray
Scissors
Scissors
Exacto
Knife
Glue
Stick
Graphite Pencils Pack of 4 Graphic or Soft Sketching Pencils
(HB, 2B, 4B, 6B)
Black Pens 1 Fine Point Sharpie + 1 two-sided
(Fine/Broad) PrismaColor Marker
Metal
Ruler: 18”
or 24”
Tracing Paper
Pad of Bristol Paper 14” x 17” pad
Illustration board (Hot Press)
Comes in a pack of 2 (15”x20”) or 1 (20”x 30”
to cut into 2 pieces)
INSTRUCTIONS:
Step 1: Make 4 sketches
of Original Geome tric and Biomorphic
shapes.
·
On
a 14x17” sheet of Bristol Paper, arrange four 5”x5” squares, with one inch
separating them, for sketching.
·
In
two of the squares use a straight edge to draw geome tric
shapes that fit inside the squares. The
shapes must touch all four sides of each square, but there must be a total of 5
points of contact where the shape me ets
the edge of the square. Neatly fill in the shapes with black ink.
·
In the other two squares use the circle
template and/or the French curve to design biomorphic shapes that fit inside
the squares. The shapes must touch all
four sides of each square and there must be 5 points of contact where the shape
me ets the edge of the square. Neatly
fill in the shapes with black ink.
Preliminary Due date for finished sketches: Sept.
20th (next week)
Step 2: Choose the best
shape out of the four sketches and create a motif pattern by symme trically flipping the shape into four quadrants.
·
Choose
the most effective shape out of the four designs and redraw the shape into a 2”x
2” square on Bristol paper.
·
Cutout
the shape (this will be your template to trace onto black paper.)
·
Trace
and cut four shapes out of the black paper, keeping two shapes the original orientation,
but flipping two shapes into a mirrored orientation.
·
Arrange
the four shapes into a 4”x 4” quadrant, ensuring that all four shapes reveal
the same side of the black paper (the front and back of the paper show
different “blacks.” In the top left
quadrant arrange the first cut out shape. In the top right quadrant, flip the
second cut out shape horizontally. In
the bottom left quadrant, flip the third cut out shape vertically. In the final bottom right quadrant, flip the
shape vertically and horizontally to complete the vertically and horizontally
symme trical shape. Again, be sure that all shapes reveal the
same side of the black piece of paper.
·
This
design will be the repeating motif in your final layout. Cut out 48 total shapes to create 12 similar
quadrant motifs that will be laid out in a grid.
Step 3: Arrange 48 black
shapes into the motif repeating pattern, choose a white negative space area in
the pattern, cut out the appropriate amount of white shapes to fit into the
design, and glue down your motif pattern composed of black and white shapes on
a Gray 12”x 16” background.
·
Arrange
48 shapes into 2 rows of 6 motif quadrants.
·
Examining
the negative spaces created by the connecting design, choose one or more of
these negative shapes to be white, but be sure that all repeated motif
quadrants have the exact same black white and gray pattern.
·
Cut
enough of these white shapes to fit seamlessly into the final repeating design
·
The
final design will be a 12” x 16” grid (48 shapes) of your original shape; a
grid that is also 3 motif quadrants wide and 4 motif quadrants long
·
Cut
out a 12”x 16” background of gray paper.
·
Glue
down your final design on the gray paper and mount it on a 15”x 20” sheet of
smooth illustration board.
Note: a huge part of this assignment is
craftsmanship, so be sure your final is as neat and clean as humanly
possible—in other words, flawless.
FINAL DUE DATE:
September 27
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